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      <image:caption>Memory of W.T. Stead at Steinway &amp; Sons, London Collaboration with Lundahl &amp; Seitl, NOMAD &amp; Steinway &amp; Sons I lay my ten fingers on the keyboard and imagine music. My fingers copy this mental image as I press the keys… The anatomical reality of my hands and the configuration of the piano keyboard have transformed my imaginary constructs. György Sándor Ligeti (1923-2006)   In a darkened room, a single light source illuminates a pair of hands poised over a piano keyboard, about to play Ligeti’s Étude, Pour Irina. Nearby six people sat at grand pianos are about to embark alone on a psycho-acoustic journey, guided by unseen hands.  In this strange intimate work – created for the London showroom of legendary piano maker Steinway &amp; Sons – the viewer becomes the protagonist, immersed in a synaesthetic narrative of memory, perception and timelessness. The installation brings together Bach and the avant-garde Ligeti – composers who lived almost three hundred years apart – with allusions to the parapsychological musings of W.T. Stead, a journalist who foretold his own death on the Titanic.  The work manifests in the atmospheric piano showroom, workshops and rehearsal studios of Steinway &amp; Sons, in the evening when the building is empty of its craftsmen and sales people, and only a single pianist remains.</image:caption>
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